Wang Yin
This drama major-cum-painter explores the boundaries of good taste with an exhibition of 30 works. Wang Yin has moved through many levels of art in China, having collaborated with Zhang Yimou on Turandot, as well as being part of the '85 New Wave, and current Songzhuang resident.
Updated 2 y, 2 m ago
Artist: Wang Yin
Exhibition Dates: September 26 — November 22, 2009
Address: Iberia Center for Contemporary Art E06, 798 Art Zone, No.4 Jiuxianqiao Road, Chaoyang District, Beijing (Close to the south gate of 798)
T: 86 10 5978 9530 / 5978 9030 (For guided tour, reservation needed) Admission free. Opening Hours: Tuesday — Sunday 10:00-18:00 info@iberiart.org www.iberiart.org
Iberia Center for Contemporary Art will present a large solo exhibition featuring the artist Wang Yin. This exhibition "WANG YIN 2009" will include more than 30 pieces of Wang Yin's creation since 2003. Following the 2007 solo exhibition in Germany, this will be another grand presentation of Wang Yin's work. Opening on Sep. 26th at 4 pm, "WANG YIN 2009" will be on view at Iberia Center from September 27th 2009 to November 22nd 2009.
Wang Yin graduated from Central Academy of Drama. In 1990, he had resided in art village in Yuan Ming Yuan Park, then moved to Song Zhuang in 1998 to begin his work as a professional artist. From '85 New Wave to Yuan Ming Yuan Park and Song Zhuang, Wang Yin experienced the modern process of Chinese painting. Furthermore, he is always engaged on theater and had cooperated with director Lin Zhaohua on Hamlet in 1989 and with director Zhang Yimou on Turandot in 1996. In 2007, he worked again with Lin Zhaohua and Tan Dun on Assassin. He also worked on various kinds of operas such as HuangMei opera, Yue opera and Huai opera etc.
Wang Yin always attempts to make his paintings more provocative by capturing painting conceptions growing on daily life and his understanding of painting. "Painting should actually challenge the established paradigms; it should put to the test what perception renders stiff and systematic, the 'good manners' and 'good taste' of those pictures hung in living rooms and exhibits."

