Back in August 2008, Beijing rock icons PK-14 and Queen Sea Big Shark embarked on their monumental 6-city, Converse-sponsored "Love Noise" tour.
A milestone for Chinese underground rock, "Love Noise," which made stops in Nanjing, Hangzhou, Changsha, Wuhan and Xi'An, before the tour finale at Beijing's Mao Livehouse, was filmed for a documentary, produced by Shanghai-based firm Wieden+Kennedy, directed by Liu Feng.
9 months after the premier of "Love Noise" (the documentary), the visibility of corporate sponsorship in China's rock scene has continued to grow, ranging from over-bearing brand tagging to more subtle tactics, best exemplified by last weekend's Plastered T-Shirts show at Yugong Yishan.
While there are certainly ways for Chinese groups to survive without financial assistance from outside sources, the Converse investment in China's emerging music market is unique in their continued support of the organic growth of their artists, recently launching a new website dedicated to streaming audio, and submitting "Love Noise" the Tribeca, Sundance and Toronto film festivals.
Although "Love Noise" was originally released in January 2009, distribution was limited to Converse stores around China. In our own effort to help further spread the word to anyone who may have missed the initial release, City Weekend is now pleased to present this streaming version of "Love Noise."
Regardless of whether you love or hate the concept of corporate branding and sponsorship in underground music, "Love Noise" is a 74-minute odyssey, an insightful film that not only captures amazing live footage, but also delves into the personal relationships and ideals of some of the leading figures in China's rock scene.
By the way, I just want to add, Dan, that your recent posts on this topic have been excellent and quite thought provoking. Nice one.
So beautifully put that i had to add a 'hear hear'. So far no-one seems willing to grow something organically, start small, and reap the benefits in the long-term. It's just another ad campaign with slightly cooler content which costs < or = some models and a studio. Apart from some great shoots, what's the revenue for these bands going to be over next 12 months?
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Putting the technical merits of the doc aside a moment. I would love to hear more about how Converse have helped develop the scene. I know all about the tour via Archie and I'm not naysaying for the sake of it ... but ... That tour was Converse taking two already established bands on the scene who were signed to a label, had excellent CDs out and were already getting overseas press attention - then taking them around a small tour in a giant advert on wheels ... the result being that W&K (can't bear to the use the obnoxious plus sign, sorry) furnished Converse stores with some more unique and focused brand wall paper. I've nothing against Cons either, I grew up skating back when they were cool. But lets call this what it is. An adventure in modern PR/ad work were some ad types try to figure out ways around traditional ad resistance. As for the so called fringe benefits, I despise that Thatcherite 'trickle down' model of society. The fact that it might be the only option for some bands here is very depressing.