Retina New Works by Bai Yiluo

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City Weekend Says

This collection of new work by prominent Beijing artist Bai Yiluo was inspired by conceptual pioneer Marcel Duchamp and his concept of “Retinal Art” – art that lacks any conceptual rigor, but only serves to please the eye. However, Bai's work uses both conceptual underpinnings and aesthetically pleasing techniques to comment on a changing China, one in which some have prospered but many remain impoverished.


Updated 2 y, 3 m ago
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OV Gallery is proud to present Retina a collection of new work by prominent Beijing artist Bai Yiluo. Bai was inspired by conceptual pioneer Marcel Duchamp and his concept of “Retinal Art” – art whose main purpose it to be pleasing to the eye but lacks any conceptual rigor.

Though Bai’s work is certainly aesthetically pleasing, his oeuvre is backed by strong conceptual underpinnings. He is well known for his social critique – his early work “People” uses images of passport-sized photos to explore the idea of the collective and he often contrasts images of working-class people, with symbols of power (pompous armchairs in “Sofa” and jade funerary garments in “Fate”). In this way he creates a kind of tension between, the elite and the common, between those who have benefited from China’s economic miracle, and those who have merely supplied the manpower.

In this new series of work, Bai explores ideas of surface and substance, interior and exterior. These works, seen for the first time in China, also employ photo assemblage, but this time the photos are culled from popular magazines. In “Monster 1” he covers a round globe-like form with images of luxury watches. In “Monster 2” he has constructed a spit – the kind used for roasting pig and lamb – and has affixed human faces to it. Here Bai explores the idea of time, desire and materialism as a kind of torturer of mankind, “At first man discovered time, now he has become its slave,” says Bai.

2 y, 5 m ago

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